For the wing, that the bird leads its state of amplitude, the man when it is condensed for the onrico flight, in the same sublimidade of the bird is capable to exceed the imaginary state and to construct its contentment, its joy in the installation of one ‘ ‘ superpssaro’ ‘. Transfigura poetical it of the wings in the condensation of the bird in wing, the wing in bird, the bird in being, the man in bird and being, and of the bird in dream, as well as of the man in dream, reaching the true poetical state. The man state as dream is confirmed when the nocturnal dream is the provoker of the devaneio in the poet. In this, the satisfaction of the flight reflects the immortality interpretativa one of the art, for the ousadia of the man, by means of the dream. ‘ ‘ The onrico flight is a phenomenon of the happiness, dormente unprovided of tragedy.

We only fly in dream when we are felizes’ ‘ (P. 70). The happiness is the act constructed for the conduction of the wings. In the man the wings are gifts in its imagination in order to launch it in the satisfaction ways deepest during its conviviality with the art, the beauty, its state of happiness, or imanncia for the envolvement with the sublime gift in its espiritualidade when contemplating itself before the divine beauty. ‘ ‘ God if has not limited to create birds hot livings creature and that fly in the blue one and in the cloud. He also created? for its fidiciary offices, the aerial types of the Pri, the Angel, the Slfide’ ‘ (P. 71). For the intent Slfide for the supremacy of the imagination, being a consequence of the glimpsed artistic pureness in the flight of the man.

The maranhense poet was studying right in Portugal when he wrote the poem, thus reflecting the feeling of homesickness and patriotism. As form of dither of the nature, Gonalves days uses terms that state the grandiosidade and beauty of Brazil, it uses the term ' ' palmeiras' ' , an imponent tree and also wealth symbol; ' ' sabi' ' , a bird that possesss one I sing beauty. The native land is seen with an exaggerated look, proud, therefore the poem is structuralized in contrasting the landscape of Brazil with the one of the exile (Portugal). (YOU MARK, 2003, P. 79-93). 2.2. ' ' I sing of return to ptria' ' of Oswald de Andrade the poem ' ' I sing of return to ptria' ' it was written by the poet, dramaturgo and ensasta Brazilian Oswald of Andrade in 1924, first published in the magazine ' ' Wood; '.

The poet was pertaining to the first modernista generation of Brazilian literature, was an exponent and producing of the week of modern art of So Paulo in 1922, it was considered the rebellious writer of that time. As other poets of the modernismo, Oswald de Andrade looked for to write with the espontaneidade of the language, and simplified vocabulary, breaching of time and making hard critical to the searched carefully language of the parnasiana school. (FARACO & MOURA, 1998, P. 253-263). Marcante characteristic of the modernismo was the critical ones to the traditionalism, the literary compositions of this period was irreverent, controversies, and possuam humorsticos tones. In the modernismo it also had, the incorporation of the gift, the progress, the machine, the new rhythm of the modern life in many literary creations of that time. The modernista poetry still nationalistic age, however, running away from imaginary the romantic one. The resource of the parody was used to criticize vises traditionalists of literature, as for example, the parnasiana poetry and the romantic poetry.