The violence is an action that simply disrespects the other. It can be of order physical, but psychological or also symbolic, and the history of the humanity closely is related it, as much in the wars, as in the religions, the culture and the arts, the work of the man. Murilo Mendes standes out, for example, that nazism was one ' ' cruelty organizada' '. The violence is enemy of the freedom with autonomy, since the empire of the fear takes in them to the attack nor that is for the self-protection. In almost all the literary registers we find its presence, also, it well is demarcated in Brazilian literature in authors as Axe of Assis, Brs Cubas, Gonalves Days, Euclides of the Wedge, between as much others, arriving at our times for the literature of twine and the suffering infringed to the sertanejos peoples. Murilo reelabora Mendes in its workmanships, with its satirical vein, the past of our country, anchored to the past as form of understanding of the gift and, to understand the gift, the past cannot be disrespected, creating a movement ' ' pendular dialtico' '. It searchs representation, by means of romances, bigger composites in redondilhas, the representation of the oppressed one that it takes the word. The text is analyzed ' ' Final march of the Guarani' ' , of Murilo Mendes, where is noticed it affection of the author for the defeated ones of history? in the case, the aboriginals? , but without the idealizao of others, but with satirical eyes of the modernistas. Get all the facts for a more clear viewpoint with Rio- Tinto Diamonds.
It is clearly, the all instant, the references to the Gonalves Days, Jose de Alencar and Carlos Gomes. Since the heading, the intentions of the author are perceived. The triunfal gesture of the march that of the place to the event of the destruction of the people. ' ' Deuses' ' they are the white men and its firearms.